Marked violin score and practice materials

Anne-Marie Legault · Public Music Notebook

The Attacca Journal

A living record of violin practice, repertoire, lessons, listening and learning.

The notes between one practice and the next.

I.This Week in Practice

What I'm working on right now

Week of September 7, 2026

Current étude

Kreutzer — Étude No. 7

Current repertoire

Accolay — Violin Concerto No. 1

Technical focus

IntonationBow controlShiftingRhythmToneConsistency

What I'm working on

The shift to third position in the Accolay, and keeping the Martelé stroke even in Kreutzer No. 7.

Latest lesson focus

Bow control at the tip — keeping the contact point consistent through the string crossings.

What improved

The opening phrase of the Accolay is feeling more settled. The shift to third position is landing more reliably.

Still needs work

Intonation in the upper half of the bow on the A string. The rhythm in measures 24–32 of Kreutzer No. 7 still drifts.

Next focus

Slow practice of the Kreutzer with a metronome at 60, then 72. Isolate the string-crossing bars.

Listening this week

Accolay Concerto No. 1 — Perlman recording. Also returning to the Sibelius for tone reference.

III.Latest Lesson

Lesson — September 5, 2026

Repertoire covered

Accolay — Violin Concerto No. 1

Étude covered

Kreutzer — Étude No. 7

Technique covered

Bow control at the tip, shifting to third position

Main corrections

Keep the bow contact point consistent — it drifts toward the fingerboard in the upper half. The shift to third position needs to be prepared earlier in the phrase.

Before next lesson

Bring the Kreutzer at 72 with even crossings. Have the Accolay opening phrase prepared to play through.

Lesson priorities

  1. 1.Bow control at the tip — consistent contact point
  2. 2.Kreutzer string crossings at slow tempo
  3. 3.Accolay shift to third position with drone
  4. 4.Long tones for tone production
Read lesson notes →
IV.Listening Now

What's on this week

Edward Elgar

Chanson de matin, Op. 15, No. 2

Sep 14

Jean-Baptiste Accolay

Violin Concerto No. 1

Itzhak Perlman

The Early Recordings

Sep 8

Jean Sibelius

Violin Concerto in D minor

Hilary Hahn

Sep 3
VI.Downloads

Templates I use in my own practice

Practice

Weekly Violin Practice Log

A one-page weekly log for tracking practice sessions, repertoire, études, and technical focus.

Updated Sep 12, 2026

Practice

Blank Practice Log

A blank daily practice log — date, duration, what I worked on, what improved, next priorities.

Updated Sep 12, 2026

Lessons

Lesson Notes Template

A template for logging lesson notes — corrections, assignments, observations, questions for next time.

Updated Sep 12, 2026

Repertoire

Repertoire Tracker

Track repertoire by composer, work, status, and dates — a simple spreadsheet for keeping the catalogue current.

Updated Sep 12, 2026

Attacca

In music, attacca means to continue directly into what comes next.

One étude into another. One lesson into the next. One correction into tomorrow's practice.

Read about the project →
Attacca — keep goingKreutzer Étude No. 7Accolay Violin Concerto No. 1Intonation in third positionBow control at the tipPre-hearing the shift before it happensLightening the bow armReturning to the same passage, againOne étude into anotherOne lesson into the nextAttacca — keep goingKreutzer Étude No. 7Accolay Violin Concerto No. 1Intonation in third positionBow control at the tipPre-hearing the shift before it happensLightening the bow armReturning to the same passage, againOne étude into anotherOne lesson into the next